{"id":7043,"date":"2021-08-23T04:24:45","date_gmt":"2021-08-23T04:24:45","guid":{"rendered":"https:\/\/www.weriseup.com\/thejournal\/?p=7043"},"modified":"2021-08-31T02:20:34","modified_gmt":"2021-08-31T02:20:34","slug":"architecture","status":"publish","type":"post","link":"https:\/\/www.weriseup.com\/thejournal\/stories\/architecture\/","title":{"rendered":"Architecture"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"7043\" class=\"elementor elementor-7043\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"has_eae_slider elementor-section elementor-top-section elementor-element elementor-element-bcc28e2 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"bcc28e2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f299700\" data-id=\"f299700\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3dd9a34 elementor-widget elementor-widget-image\" data-id=\"3dd9a34\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"2526\" height=\"835\" src=\"https:\/\/www.weriseup.com\/thejournal\/wp-content\/uploads\/2021\/08\/IMG-1-TurkeyBiennale.jpg\" class=\"attachment-full size-full\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_eae_slider elementor-section elementor-top-section elementor-element elementor-element-51daf05 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"51daf05\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-52d474e\" data-id=\"52d474e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c016d33 elementor-widget elementor-widget-heading\" data-id=\"c016d33\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Photo Credit- Jacopo Salvo<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9275142 elementor-widget elementor-widget-image\" data-id=\"9275142\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.weriseup.com\/thejournal\/wp-content\/uploads\/elementor\/thumbs\/banner-visions@2x-pc0tkuytzhr8zj3glu1cpsdf20ikkltdx4jtm11u8g.png\" title=\"banner-visions@2x\" alt=\"banner-visions@2x\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6495bd7 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"6495bd7\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-160f327 elementor-widget elementor-widget-heading\" data-id=\"160f327\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Living Together in the 21st Century - <br>Hashim Sarkis Venice Biennale 2021<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-205590a elementor-widget elementor-widget-image\" data-id=\"205590a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.weriseup.com\/thejournal\/wp-content\/uploads\/elementor\/thumbs\/IMG-AUTHOR-Paul-Miller@2x-pc0saq1yexjstse2arusw9iph6eg78rdotdbnbwaoi.png\" title=\"IMG-AUTHOR-Paul-Miller@2x\" alt=\"IMG-AUTHOR-Paul-Miller@2x\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0befc01 elementor-widget elementor-widget-heading\" data-id=\"0befc01\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">BY PAUL D. MILLER AKA DJ SPOOKY<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_eae_slider elementor-section elementor-top-section elementor-element elementor-element-f12d9bc elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f12d9bc\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-482fb5a\" data-id=\"482fb5a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0c43371 elementor-widget elementor-widget-heading\" data-id=\"0c43371\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\"><b>EDITOR-AT-LARGE<\/b> Paul D. Miller, aka DJ Spooky, is a composer, multimedia artist, and writer whose work immerses audiences in a blend of genres, global culture, and environmental and social issues. Miller has collaborated with an array of recording artists, including Metallica, Chuck D, Steve Reich, and Yoko Ono. His 2018 album, DJ Spooky Presents: Phantom Dancehall, debuted at #3 on Billboard Reggae. His books include the award-winning Rhythm Science, published by MIT Press in 2004; Sound Unbound, an anthology about digital music and media; The Book of Ice, a visual and acoustic portrait of the Antarctic, and; The Imaginary App, on how apps changed the world. His writing has been published by The Village Voice, The Source, and Artforum. <br><a href=\"http:\/\/www.djspooky.com\/books\">http:\/\/www.djspooky.com\/books<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_eae_slider elementor-section elementor-top-section elementor-element elementor-element-ce01ba0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ce01ba0\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4f82ada\" data-id=\"4f82ada\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7f677f0 elementor-widget elementor-widget-heading\" data-id=\"7f677f0\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\"><b>The 17th Venice Biennale of Architecture<\/b> has had one of the strangest contexts in recent history. Crisis? Check. Uncertainty? Check. Radical transformation? Check. When you think about it, there are so many resonant issues that create a new tapestry woven of possibilities that architecture can inspire - and be inspired by - in these times of deep uncertainty. Together with the paradoxes of life in a 21st Century dominated by geopolitical tensions rising from the advent of authoritarian regimes throughout the world, deeply imbalanced global trade, the radical interrogation of how materials in buildings, art and design can affect everyday life, and above all - how a micro-organism like COVID-19 bought the global capitalist system to its knees, are all on display as beacons to help us navigate these turbulent times. \n<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ed8adf3 elementor-aspect-ratio-169 elementor-widget elementor-widget-video\" data-id=\"ed8adf3\" data-element_type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=eOdPtyMWIzk&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;,&quot;aspect_ratio&quot;:&quot;169&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-fit-aspect-ratio elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0c52902 elementor-widget elementor-widget-image\" data-id=\"0c52902\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"933\" height=\"492\" src=\"https:\/\/www.weriseup.com\/thejournal\/wp-content\/uploads\/2021\/08\/IMG-2-Sarkis-Cicutto-Biennale.png\" class=\"attachment-full size-full\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-140b169 elementor-widget elementor-widget-heading\" data-id=\"140b169\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Photo Credit- Courtesy Venice Biennale<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-01ecc6d elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"01ecc6d\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c2c58ce elementor-widget elementor-widget-heading\" data-id=\"c2c58ce\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">For the Biennale, Sarkis pulled together an incredible gathering of thinkers, conceptualists, theoreticians and architects to ponder this\u2014 how do we live together?<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4578dde elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"4578dde\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0a18ca9 elementor-widget elementor-widget-heading\" data-id=\"0a18ca9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">The theme Sarkis, who also happens to be the Dean of MIT\u2019s School of Architecture and Planning, posited as the foundation for the exhibit inspired an incredible range of responses in the architects that participated. The Venice Biennale was supposed to happen last year, but was postponed due to the pandemic. Instead, it happened after the 2020 election and the defeat of Donald J. Trump (yes folks, he lost the election). The worldwide COVID19 crisis is now the subtle and not so subtle catalyst to how we re-think public space and our social dynamics and one could argue that it\u2019s not just a biological pandemic, but a mental pandemic as well. The global climate crisis, radical political polarization, declining ideas about \u201cfailed nation states\u201d ranging from Afghanistan, Sudan, Somalia, or North Korea, and above all the deep unease underlying the uncertainties of our time. <br><br>\nAdd it all up and you have an intriguing premise for a contemporary architecture biennale. Oscar Wilde once said \u201cif Nature had been comfortable, mankind would never have invented architecture.\u201d The Sarkis curated Biennale reverse engineers that idea to put a world where the Biennale can be a place where ideas generate new forms and make us uncomfortable with the uncanny and myriad ways humans have impacted the world around us. It's a must see if you are in Venice.\n\n<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-63a2592 elementor-widget elementor-widget-image\" data-id=\"63a2592\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"933\" height=\"627\" src=\"https:\/\/www.weriseup.com\/thejournal\/wp-content\/uploads\/2021\/08\/IMG-3-Arctic-Biennale.png\" class=\"attachment-large size-large\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8044ce7 elementor-widget elementor-widget-heading\" data-id=\"8044ce7\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Photo Credit - Courtesy Venice Biennale\n<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a3924f8 elementor-widget elementor-widget-spacer\" data-id=\"a3924f8\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1fecc54 elementor-widget elementor-widget-image\" data-id=\"1fecc54\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.labiennale.org\/it\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.weriseup.com\/thejournal\/wp-content\/uploads\/elementor\/thumbs\/Phoenix-pb6tyblftv94x6dke7p8abb10fx7vu60nvrpqtz1vg.png\" title=\"Phoenix\" alt=\"Phoenix\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3cb3953 elementor-widget elementor-widget-heading\" data-id=\"3cb3953\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/www.labiennale.org\/it\">labiennale.org\/it<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a5d90f7 elementor-widget elementor-widget-spacer\" data-id=\"a5d90f7\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8254f8c elementor-align-center bbb elementor-widget elementor-widget-global elementor-global-5862 elementor-widget-button\" data-id=\"8254f8c\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a href=\"https:\/\/www.weriseup.com\/thejournal\/subscribe\/\" class=\"elementor-button-link elementor-button elementor-size-sm\" role=\"button\" id=\"issue2button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">SUBSCRIBE<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dd59bc3 elementor-widget elementor-widget-spacer\" data-id=\"dd59bc3\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Photo Credit- Jacopo Salvo Living Together in the 21st Century &#8211; Hashim Sarkis Venice Biennale 2021 BY PAUL D. MILLER AKA DJ SPOOKY EDITOR-AT-LARGE Paul D. Miller, aka DJ Spooky, is a composer, multimedia artist, and writer whose work immerses audiences in a blend of genres, global culture, and environmental and social issues. Miller has\u2026 <a class=\"excerpt-dot\" href=\"https:\/\/www.weriseup.com\/thejournal\/stories\/architecture\/\" title=\"Architecture\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" x=\"0\" y=\"0\" width=\"30.2\" height=\"14.2\" viewBox=\"0 0 30.2 14.2\" enable-background=\"new 0 0 30.167 14.168\" xml:space=\"preserve\"><path d=\"M0.1 7.1c0-0.4 0.4-0.8 0.8-0.8h26.5l-5-4.9c-0.3-0.3-0.3-0.8 0-1.1 0.3-0.3 0.8-0.3 1.1 0l6.3 6.2c0.3 0.3 0.3 0.8 0 1.1l-6.3 6.2c-0.2 0.2-0.4 0.2-0.6 0.2 -0.2 0-0.4-0.1-0.6-0.2 -0.3-0.3-0.3-0.8 0-1.1l4.9-4.8H0.9C0.5 7.9 0.1 7.6 0.1 7.1z\"\/><\/svg><\/a><\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[40,21],"tags":[42],"class_list":["post-7043","post","type-post","status-publish","format-standard","hentry","category-issue-2","category-stories","tag-issue-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Architecture - WERISEUP<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.weriseup.com\/thejournal\/stories\/architecture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Architecture - WERISEUP\" \/>\n<meta property=\"og:description\" content=\"Photo Credit- Jacopo Salvo Living Together in the 21st Century &#8211; Hashim Sarkis Venice Biennale 2021 BY PAUL D. MILLER AKA DJ SPOOKY EDITOR-AT-LARGE Paul D. Miller, aka DJ Spooky, is a composer, multimedia artist, and writer whose work immerses audiences in a blend of genres, global culture, and environmental and social issues. 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